Unabashed, bold and fearless — this pretty much sums up actor-filmmaker Pooja Bhatt. Not one to mince her words, Pooja, who was in Delhi recently for the theatrical re-creation of her 1989 film Daddy, talks about the changing phases of film-making, actors being driven by PR machinery, and one of her iconic films completing 27 years.

It has been 27 years since Dil Hai Ke Manta Nahin released. What special memories do you have of your second film?

It was life-changing journey into my own heart. All of us, including the audience, felt a big vacuum once the film was over. They still hold onto it and the memories they have around it. It’s a film that’s ingrained in people’s hearts and minds; they connect their adolescence to it.

How was it working with Aamir Khan for the first time?

Aamir and I were magic on-screen and a disaster off it. He was my favourite sparring partner. We used to fight like cat and dog. “Tom and Jerry” is how uncle Mukesh [Bhatt] described us. Guess we were both quite smitten with each other and that’s how we displayed our affection for each other when the camera was not rolling. We were as different as chalk and cheese, and that’s why our chemistry was so palpable on-screen.

Still seeking! 😉 ‘O mere Sapno Ke Saudagar’ a song that defined my fairy tale idea of love… Shot in the forests of Ooty that were drenched with the fragrance of eucalyptus,it was a song rendered beautifully by Anuradha Paudwal. I had a distinct lisp then,traces of which still remain and Anuradhaji called me to her home before she recorded it and made me speak to her at length so she could incorporate my supposed speech setback into the song. Love her for that as she made me feel that it was actually a special attribute and contributed to what and who I was. My idea of an ‘ideal’ with regards to love and the supposed ‘beloved’ has evolved since then but I still am and will remain the last of the hopeful romantics… We ARE love. However many knocks we take,we should never forget that and to give up on it is to succumb to the dreariness and ordinariness of the world. So to all of you who have loved and lost,lost and loved,continue to still believe in the miracle & wonder of love and especially to those who choose outwardly to not believe,I whisper these lyrics of the song directly from my heart to yours- “Yeh Pariyon Ki Basti, Sitaaron Ka Majma Yahan Goonjta Hai Mohabbat Ka Nagma Yahaan Pyaar Ke Hain Diwaane Sabhi Chaahat Hi Sab kuchh Yahaan” #omeresapnokesaudagar #27yearsofdilhaikemantanahin #DHKMN #dilhaikemantanahin #somelovestoriesgetbetterwithtime #classicfilm #90sgem #lovestories #downmemorylane #celebrationtime #wearelove #maheshbhatt #mukeshbhatt #nadeemshravan #anuradhapaudwal #gulshankumar #aamirkhan #anupamkher #anasingh #poojabhatt #ooty #outdoor #filmmaking #filmmakinglife #musicisthefoodoflove #ajourneyintoawomansheart #❤️

A post shared by Pooja B (@poojab1972) on

Still seeking! 😉 ‘O mere Sapno Ke Saudagar’ a song that defined my fairy tale idea of love… Shot in the forests of Ooty that were drenched with the fragrance of eucalyptus,it was a song rendered beautifully by Anuradha Paudwal. I had a distinct lisp then,traces of which still remain and Anuradhaji called me to her home before she recorded it and made me speak to her at length so she could incorporate my supposed speech setback into the song. Love her for that as she made me feel that it was actually a special attribute and contributed to what and who I was. My idea of an ‘ideal’ with regards to love and the supposed ‘beloved’ has evolved since then but I still am and will remain the last of the hopeful romantics… We ARE love. However many knocks we take,we should never forget that and to give up on it is to succumb to the dreariness and ordinariness of the world. So to all of you who have loved and lost,lost and loved,continue to still believe in the miracle & wonder of love and especially to those who choose outwardly to not believe,I whisper these lyrics of the song directly from my heart to yours- “Yeh Pariyon Ki Basti, Sitaaron Ka Majma Yahan Goonjta Hai Mohabbat Ka Nagma Yahaan Pyaar Ke Hain Diwaane Sabhi Chaahat Hi Sab kuchh Yahaan” #omeresapnokesaudagar #27yearsofdilhaikemantanahin #DHKMN #dilhaikemantanahin #somelovestoriesgetbetterwithtime #classicfilm #90sgem #lovestories #downmemorylane #celebrationtime #wearelove #maheshbhatt #mukeshbhatt #nadeemshravan #anuradhapaudwal #gulshankumar #aamirkhan #anupamkher #anasingh #poojabhatt #ooty #outdoor #filmmaking #filmmakinglife #musicisthefoodoflove #ajourneyintoawomansheart #❤️

A post shared by Pooja B (@poojab1972) on

Have things drastically changed in the film industry today?

Movie-making has become too impersonal — too many people, doing too many jobs. A star comes on set with eight people. We used to multi-task back then — no makeup vanity, no bullsh**. We went everywhere carrying the ice box ourselves and had one spot boy, if we were lucky. Everyone knew everybody and we were connected. Today, actors come to my office and ask for a marketing plan first, before they read the script.

What about the PR machinery controlling the stars today?

I’ll not be controlled even when I’m 95 years old! No way am I going to give my life away to somebody else and say, ‘Now tell me what to do and how to do it’. But today, stakes are higher and, hence, young actors go out looking well-dressed and they’ve got a makeup man, hair guy, a personal trainer, marketing team, publicist etc.

Do you find all this overrated?

You see, people don’t want to reveal themselves. Things were more organic back in the day, but now, they’re more rehearsed — you don’t really know people. You might be friends on social media but you won’t know them, because they’ll show you what they want to show you. It’s funny how photo shoots today go through more production than a film did [then].

Interact with Monika Rawal Kukreja at Twitter/@monikarawal

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