Despite losing the chance to direct Lemony Snicket’s 2004 book adaptation for the big screen, Barry Sonnenfeld laughs longest thanks to Netflix

If aliens were to live on earth, Barry Sonnenfeld believes they would most certainly flock to New York City. The Big Apple is the perfect place, according to the filmmaker, for an extraterrestrial to blend in. It is precisely why he switched the script for Men in Black around, which initially had the non-Earth beings inhabit Las Vegas and Kansas. “When you see that strange man on 42nd street in August wearing four down jackets even though it’s 33 degrees Celsius — I always say on his planet, 33 Celsius is winter,” chuckles the director during a phone call. The films — adapted from Malibu/Marvel comic books — complete 21 years this July and are still as popular as they were in 1997 when the first instalment released. In fact there’s a reboot in the works with Chris Hemsworth in the pipeline. The lure of the franchise, according to the filmmaker, boils down to plain and simple chemistry between the two protagonists: Will Smith and Tommy Lee Jones. “It’s not a big action adventure movie,” says the director. “It’s more a buddy movie with aliens.”

A series of very fortunate events: In conversation with Barry Sonnenfeld

The comeback kid

Though Men in Black may have hurled Sonnenfeld towards fame, he has actually worked on several other underrated projects. There’s the 1991 film, The Addams Family and its sequel, the critically acclaimed but short-lived TV series Pushing Daises; another show called The Tick (both the 2001 original and 2016 reboot). Most recently, he’s developed Netflix’s A Series of Unfortunate Events, adapted from the 2004 film that Sonnenfeld was axed from. He candidly speaks about the experience, even as chooses his words deliberately. “The head of DreamWorks [Walter Parkes], also a producer of the Men in Black movies, and I like each other but don’t get along professionally,” he says. According to the director, when Paramount — the studio developing A Series of Unfortunate Events — went to DreamWorks to strike a partnership deal, no qualms were made about giving him the boot. But a decade later, Sonnenfeld — who has always loved the series of children’s books — got his day in the sun. While seasons one and two are both currently available for streaming, Sonnenfeld is neck-deep in post-production on the third which will be the show’s final outing. “We always planned on it being three seasons,” he says. “There are only 13 books and each book represents two episodes for us.”

A series of very fortunate events: In conversation with Barry Sonnenfeld

Two worlds

Sonnenfeld has worked in both film and television over the years, but it is the latter that has captured his heart. “With a series, we’re basically making a feature film in one quarter of time and one tenth of a budget and it’s 97% as good,” he says. “But truthfully, television has found itself with better writers, better stories to tell, and more time to tell them.” As another wave of ‘The Golden Age’ of television continues, Sonnenfeld is certain that streaming has heralded the spike in the content quality we are enjoying. Due to the absence of pesky commercial breaks, showrunners are not forced to break scripts up into four or five acts ‘that are x amount of minutes’. For instance, episodes of A Series of Unfortunate Events range from 40 to 62 mins and Netflix does not care one bit. “Writers have become very attracted to streaming television,” says Sonnenfeld. “I love that that Netflix is changing the paradigm of television because they are producing so much content and are supporting filmmakers.”

A Series of Unfortunate Events

A Series of Unfortunate Events

By his own admission, working on A Series of Unfortunate Events over the last three years have been the most rewarding of Sonnenfeld’s career. He attributes it to Netflix’s “unique philosophy freedom and responsibility”. He regales me with bitter experiences, working with studios that have tried to control everything down to a protagonist’s beard. “They will literally say things like your lead character can’t have facial hair because we’ve never made a movie that made more than x amount of money if the lead had facial hair,” he laughs.

Switching mediums

While a release date for the final season of A Series of Unfortunate Events is yet to be announced, Sonnenfeld only has one future project he’s immersed in. He dismisses rumours of directing series like Funny in Farsi and Beverly Hills Cop. Instead, he’s going to stick his nose deep into completing Barry Sonnenfeld, Call Your Mother! his print memoir that’s due in February next year.

Men in Black will air on Sony Pix on July 8 at 9 pm.

Source: Read Full Article