Big stars, big budgets, breezy soundtrack and the promise of a good time is director Siddharth Anand’s specialty.

High on foreign locales and fancy styling, his entertainers exude the A to Z of glamour: A formula the film-maker holds steadfastly since the beginning of his career.

Born in the larger-than-life world of movies, spectacle comes naturally to the 44-year-old.

Siddharth’s grandfather Inder Raj Anand wrote classics like CID, Anari, Sangam and Ek Duuje Ke Liye.

His uncle Tinnu Anand is a well-known actor and director of films like Kaalia and Shahenshah, of which the latter was produced by his dad, Bittoo Anand.

Lacking interest in academics, the Narsee Monjee alumna started out assisting Rahul Rawail in Kuch Khatti Kuch Meethi followed by Kunal Kohli in Mujhse Dosti Karoge, later co-writing his Hum Tum (on whose sets he bumped into future wife and stylist Mamta) made under the Yash Raj Films banner.

Of the seven films he’s helmed, five of them belong to Aditya Chopra’s production house.

As their latest star-studded collaboration Pathaan starring Shah Rukh Khan, John Abraham and Deepika Padukone readies for release today, Sukanya Verma offers a lowdown on everything Siddharth has directed so far.

 

Salaam Namaste (2005)

Though it takes ample inspiration from Nine Months, Saif Ali Khan and Preity Zinta’s frothy chemistry about live-in romances set in Melbourne had the audience and their dils going mmm in excitement.

In his directorial debut, Siddharth displayed a keen ear for catchy music as well as a flair for urban wit, chic imagery and just about enough emotion.

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Ta Ra Rum Pum (2007)

Siddharth’s sophomore effort set in NYC, about a racing driver’s rise and fall of fortunes and family struggles could never recover from obvious comparisons to Russell Crowe’s Cinderella Man, the hideous hairstyles sported by its leads or child characters called Princess and Champ.

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Bachna Ae Haseeno (2008)

Borrowing an idea from Bill Murray’s Broken Flowers, Bachna Ae Haseeno‘s glossy aggrieve-and-atone romance comedy kick-started Ranbir Kapoor’s coming-of-age journey.

Three love stories starring Bipasha Basu, Deepika Padukone, Minissha Lamba — set in Switzerland, India, Australia and bits of Italy and Greece — highlighted Siddharth’s confidence and ambition.

Originally, a fourth romantic track with Katrina Kaif was planned, but scrapped last minute fearing lengthy running time.

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Anjaana Anjaani (2010)

Priyanka Chopra and Ranbir Kapoor play good-looking NRIs going through a hard time and heartache, a problem they plan to resolve by ticking off everything on their bucket list before ending their lives in Siddharth Anand’s problematic rom-com boasting of seriously groovy music.

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Bang Bang! (2014)

Best known for his rom-coms until then, the official remake of the Tom Cruise-Cameron Diaz action-romance, Knight and Day began Siddharth’s ascent in the world of daredevil stunts and jaw-dropping thrills.

It didn’t hurt that Hrithik Roshan and Katrina Kaif’s steamy camaraderie and globetrotting sessions provides plenty of eye candy and distraction from an otherwise inane plot.

  • The Rediff Review

 

War (2019)

Besides drooling at a super stunning Hrithik Roshan with good reason, War‘s epic-scale espionage masala modelled along the Mission Impossible franchise, throws up some high-octane action and dance-offs between the desi Greek God and his ultimate fanboy, Tiger Shroff.

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Pathaan (2023)

The spy fervour (and universe) resumes in Pathaan, which marks Shah Rukh Khan’s full-fledged return after 2018’s Zero.

Donning the action hero mantle alongside Deepika Padukone’s feisty femme fatale and John Abraham’s beefy antagonist, SRK aims to please his fans and box-office alike.

And if record-breaking advance booking and rumours about a certain Tiger’s appearance are any indication, Siddharth Anand better start working on another large-scale sequel.

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